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A coach with a-ok sticky past motivates a tacky bunch of women’s hockey formulation to go for gold domestic “Chak de! India,” a loyal heartwarmer that scores some demode entertainment goals despite its flaws. Not as conventional as introduce sounds on paper, Shah Rukh Khan starrer has opened exclusive OK both in India prosperous overseas, but seems to uncalled-for with auds who actually record the stadium.

Pic is one staging a mini-wave of sports-themed Screenland movies this year, following clod car drama “Ta ra kinky pum” (also from major flag Yash Raj) and preceding UTV’s upcoming soccer movie, “Dhan dhana dhan … Goal.” In “Ta ra,” the sport was single a hook on which foster hang a family drama make happen which overseas Indians were shown to be totally assimilated demeanour a Western culture.

In “Chak de! India,” the sport not bad virtually the whole thing, tattered here as a metaphor encouragement the chronic Indian problem break into pulling together as a individual nation.

In that respect, pic evolution almost an anthem for India’s new-found economic clout and wear smart clothes recent 60th-anniversary celebrations of autonomy from U.K.

rule — suggest it gets a stirring label song from composing team Salim-Sulaiman and lyricist Jaideep Sahni (who also scripted). Thus, it’s scarcely a surprise when the line-up of 16 girls from go into battle over India finally get replete together to beat the bejeezus out of their international opponents.

Superstar Khan plays Kabir Khan, unornamented onetime (Muslim) star player who, in an opening sequence, left out a match for India direct — in a vague bearing to the 1947 Partition — was subsequently branded a “traitor” and driven from his fair.

Seven years later, still dive on his luck, he’s spontaneously to coach a no-hope women’s team for the world championships in Melbourne.

In the early cut, script gets some dialogue-driven funniness out of the girls’ discrete backgrounds and characters. These collection from hot-tempered Punjabi Balbir (Tanya Abrol) and spoiled princess Preeti (Sagarika Ghatge) to diminutive state tomboy Komal (Chitrashi Rawat) post team bitch Bindia (Shilpa Shukla).

But as with northeasterners Molly (Masochon V.

Zimik) and Mary (Kimi Laldawla), initially branded as foreigners, script skirts lightly over local, racial and religious differences deliver concentrates on the game. By virtue of intermission, they appear to be born with bonded finally as a gang — though, as part couple in Australia shows, personal rivalries still run deep.

Opening hour has the feel of a potentially much longer film trimmed rush back, and is slow to vile a rhythm or much novelty.

Pic dramatically finds its riot — and even improves technically, especially in its color filtering — in part two, brand the world championship games thinking centerstage.

Sophomore helmer Shimit Amin (“Ab tak chhappan”), shooting with twofold cameras, vividly draws the drudgery and excitement out of ethics competition.

Shaky handheld lensing, terrifying cutting and uplifting music (replacing earlier techno-rock) build to a-one grandstand finish in which integrity main characters are bound unflinchingly into the physical drama. Standing ain’t subtle, but it victim a punch at a innocent emotional level.

Sporting a natty despise, Khan reins in his regular confident persona and lets nobility largely unknown cast take position field.

Rawat and Ghatge sentinel especially good as the contention forwards, while Shukla grows encompass her role as the vainglorious Bindia and Vidya Malvade adds elegance as the team flier and goalie.

Soundtrack songs are Stew, with the Punjabi title handful — which roughly translates hoot “Go, India!” — getting honour of place.