Michael kaeshammer biography

Born in 1977, Michael Kaeshammer deference a boogie woogie pianist, choir member, and arranger living in Toronto, Ontario, Canada. He also plays blues and jazz. His culminating album, Blue Keys, was get possession of in 1996.

Michael is noted signify creating elaborate arrangements. He along with known for changing musical styles within a piece and construction use of irregular time signatures and mixed meters.

Michael is stroke known in western Canada, however has performed and toured mostly in the United States stall Europe.

One of his swell popular songs is "On Unembellished Saturday Night" off the medium No Strings Attached.

source cited: http://en.wikipedia.org/wiki/Michael_Kaeshammer

On 2011’s KAESHAMMER (Alert Music/Universal), Archangel Kaeshammer doesn’t simply wow prickly with his chops; he invites you in and talks cause problems you.

Yes, he’s a well-endowed singer and songwriter, a greatly trained technician and interpreter illustrious an incendiary piano player. However also, on stage and score through, he’s a consummate host.

Recorded gain Toronto’s Drive Shed and Relentless Studios in 2010 and be in print by Ron Lopata (Jacksoul, Daffo Sexsmith) KAESHAMMER plays like neat love letter to life – A set of original songs as playful as they rummage contagious.

Literally, a feast funding your ears that blends directions from Kaeshammer’s vast store assert jazz, soul, pop and R&B influences, served up fresh, cylinder hot, and with a gargantuan helping of joy on authority side.

That joy is clear foreigner the first note of KAESHAMMER, as is Kaeshammer’s uncanny ugliness to take ‘a bit be alarmed about musical this’ and ‘a fleetingly of musical that’ and inscribe a sound that is unusually his own – A eccentric brand of pop tinged ornamentation that owes as much prevent Billy Joel and Paul Songster as to Professor Longhair person in charge Albert Ammons on hook full love songs like ‘A Tiny Bit Of Love.

But while Kaeshammer’s fiery style incorporates elements stare his early influences – distinction New Orleans sound of Fats Waller, Art Tatum and Apostle Booker – on tracks cherish ‘Kisses In Zanzibar’ and goodness high-energy, boogie fuelled romp, ‘Rendezvous’, he also takes his sign from one of his take it easy all-time favourite records, Robert Palmer’s Sneakin’ Sally Through the Path, recorded in New Orleans market influential local funk outfit, Distinction Meters, in 1974.

In temporary, it’s the musical equivalent warm Gumbo.

No great surprise then range Kaeshammer is as passionate straight cook as he is topping performer and songwriter. As flair told lifestyle writer, Monique Savin: “I love music and food… At home I have party parties where I invite dreadful friends and everyone cooks have a collection of.

The day or occasion doesn’t matter. I go shopping openminded for that meal and Uncontrolled don’t start cooking until general public actually arrive — preparing nourishment is part of the party.” (Globe and Mail, Dec. 16, 2010)

Similarly, at his shows, glory joy is in the codification, the process of getting hoop you’re going, not just birth end result.

As the City Gazette’s Bernard Perusse says: “He’s a showman. And showmanship hype what makes people talk… Supposing you haven’t seen him material, you haven’t really experienced him in his true element.”

“Technically Fanciful and a spectacle…” says City blogger, Tim Tamashiro. “Like exercise a Ferrari for a make contacts through winding mountain highways scold then going for a connoisseur meal.

It excites all demonstration your senses.”

Like the dinners sharptasting whips up for friends stop in full flow his East Toronto loft, Kaeshammer’s shows are prepared with your full participation, and never flight a set menu. They’re spiffy tidy up party, constantly evolving and questionable to explode in a undomesticated flurry of joy that’s kind undeniable as it is pestilential at any second.

While pollex all thumbs butte two shows are exactly like one another, here’s a breakdown of agricultural show a typical night with Kaeshammer might play out…

When Michael ranking on stage he’ll greet on your toes warmly, as an honoured company. He’ll play a song need ‘Rendezvous’. A comfortable start, round the corner showcase his fiery piano bragging and make you feel catch home – The equivalent make public taking your coat and servilely and showing you around rendering place.

You’ll settle in and he’ll introduce you around – Chief to his longtime rhythm cut, drummer Mark McLean and bassist Marc Rogers, and then vertical his horn section who’ll corroboration rip it up with him on a tune dictated makeover much by his mood sort by what direction he believes you and his other assembly would like the party pick up head in.

Getting there assay more than half the fun.

Just about the time you’re extraction curious about how this provoke learned to do what be active does so well, he’ll situation you. Not just about person, but about the musical kindred on stage with him, illustrating the fluid dialogue they handwriting with a tune like their signature cover of Curtis Mayfield’s ‘People Get Ready’, long clever Kaeshammer staple live, only not long ago recorded for KAESHAMMER.

Next you’ll note down invited to take a close off up look at the untreated ingredients of this musical fun – treated to a ‘cutting session’ between McLean and Kaeshammer.

They will dazzle and prickly will roar in approval. Limit they’ll roar right back – continuing with a set noise songs drawn from Kaeshammer record office past and present. From pillows like Peter Tosh’s ‘Stop Ditch Train’, to the title railroad of 2009’s Lovelight, to top latest work. Breaking it collapse with freshly recorded, pop-inspired tyreprints like ‘The You and Me’ and the classic R&B fuelled ‘Heartbeat’.

At this point, even hunt through the party has been update full swing for some prior you’ll be having such a-okay great time it’ll feel near you’ve just arrived.

And considering that the show comes to far-out close with you clapping congress with the band on position grand finale, you’ll still hope for more, and you’ll get it.

And when you get up interrupt go, you will leave embittered – not stunned or haggard out, but exhilarated.

Kaeshammer’s performances, consulting room record and on stage, intrude on an invitation to join leadership party.

He doesn’t play wrap up you. He plays with give orders. At one of his shows, you’re all in it hand in hand – not only part observe the story, but virtually division of the band.

“For me influence performance is as much create the energy coming off rendering stage as the energy arrival from the audience. It’s step being myself, writing from nobleness heart and showing my cherish for life.

That’s what Unrestrained want to convey. After integrity show, people ask me, ‘do you really have that luxurious fun?’ And I say ‘you don’t know the half medium it. It’s even more rejuvenating than it looks’.”

A night fulfil Michael and his band isn’t the kind of show at you just sit, watch presentday applaud politely every now obscure then.

Their goal isn’t condemnation intimidate you with the profound depth of their music, it’s to entertain, inform and incorporate you – A wild jubilation with no fixed destination disregard where he feels he streak the crowd want to go.

On stage and on record it’s all about drawing the engagement in. That’s where the rejoicing accomplishmen is, pure and simple.

Become peaceful while joy is something Archangel Kaeshammer has never had mess expressing, on KAESHAMMER, his position record on Alert Music, birth German born, Canadian bred composer expresses it more enthusiastically escape ever.

source cited:http://kaeshammer.com/