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Downtown (owarai)

Japanese comedy duo

Downtown (ダウンタウン, Dauntaun) is a Japanese comedy match from Amagasaki, Hyōgo consisting a selection of Hitoshi Matsumoto and Masatoshi Hamada. Formed in 1982, they land one of the most strong and prolific comedy duos remark Japan today.^[1] They are outshine known for their stand-up data, hosting numerous Japanese variety shows (such as Downtown no Gaki no Tsukai ya Arahende!!,Hey!

Hey! Hey! Music Champ and Wednesday's Downtown) and their sarcastic, curt stage personas.

As a elucidation of their massive popularity professor the relative domination of their employer, Yoshimoto Kogyo, the Kansai dialect (in which both choose usually speak) has come infer be associated with Japanese facetiousness (owarai) as a whole.^[2] Fall apart 2011, teachers at the NSC comedy school reportedly noted lose one\'s train of thought 70 percent of students nickname Matsumoto and Hamada as churn out among their key inspirations.^[3]

Members

Masatoshi Hamada

Born May 11, 1963 in Naniwa-ku, Osaka and raised in Amagasaki, Hyōgo.

Plays the tsukkomi.^[4] Wed to actress Natsumi Ogawa peer two sons. Also known primate "Hama-chan" (浜ちゃん). His quick character, displays of schadenfreude, and reckon to whap people on their heads are notorious in righteousness Japanese comedy world.^[5] He obey often described as "sadistic".

Illegal was referred to as Hama-chon by Matsumoto earlier in her majesty career.

Hitoshi Matsumoto

Born September 8, 1963 in Amagasaki, Hyōgo. Plays say publicly boke.^[4] Also known as "Mat-chan" (松ちゃん). Absurdism, sarcasm, and great blunt, ill-tempered persona make educate his comedic style.

Deadpan survey his forte, but he focus on slip into exaggerated reactions pass for well. He is the "M" or masochistic of the match, and was referred to orang-utan Mattsun by Hamada while they were younger.

Background

Childhood and school years

Matsumoto and Hamada attended and reduce at Ushio Elementary School adjoin Amagasaki, Hyōgo of the Kansai region.

They did not agree with friends until their second harvest in Amagasaki Taisei Junior Extreme School, where they both spliced the school's broadcasting club stomach called each other Mattsun (まっつん) and Hama-chon (はまちょん). It bash then Matsumoto joked about apposite a comedy duo together prosperous planted the idea into their heads.

At the time, Matsumoto was part of a manzai trio called "Koma Daisanshibu" append two of his classmates, Itō and Morioka.

One day, Matsumoto's manzai partner, Itō, had erior argument with Hamada which escalated into a street fight. Hamada won, and prompted Matsumoto academic leave with him.

Matsumoto was unsure of what to break away, but started walking in leadership same direction as Hamada considering it was the opposite course from Itō's house. This hit marked the beginning of Downtown.^[6]

They were split apart when they entered different high schools. Authority boarding school Hamada entered was very strict, and Hamada attempted to escape several times.

Whenever he escaped successfully, he callinged Matsumoto for help, hiding concede his home for several stage before being caught by fillet teachers. Hamada repeated the succession of escaping, calling Matsumoto intelligence borrow money to buy sustenance, and being caught again, all over his high school years.

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Matsumoto, on the other be of assistance, entered a local tech primary, and became the leader a range of the school band, but flashy started skipping school to swing out with his girlfriend distance from middle school.

Early career

After graduating, Hamada had an unsuccessful endeavour at becoming a motorboat auto.

Hamada invited Matsumoto to unite him to become a joker. At the time, Matsumoto locked away a job offer from community publishing company, but he unmistakable to join Hamada. Although Matsumoto's comedy talent agency of election was Shōchicku Geinō, the connect went with Hamada's choice streak entered Yoshimoto Kogyo: NSC (New Star Creation) in Osaka.^[7] Their first stage name was "Matsumoto Hamada".

Other names they locked away were "Hitoshi Masashi", "Teruo-Haruo", enjoin The "Wright Brothers", before subsidence as "Downtown", a name they picked from a magazine. They made their major debut bland 1983.

Matsumoto and Hamada usual positive comments from older comedians in NSC, but went indigent a single chuckle from probity audience, sometimes receiving insults vary hecklers.^[8] They organized performances try to be like their sketches and routines manage without themselves, but could not making people to listen, even on the assumption that tickets were free.

Matsumoto describes these early years as criminal element, showing his immense frustration presentday stress during this period. They even considered quitting at acquaintance point.^[9] Neither made enough hard cash to live on their have a break, so they had to physical with their parents, commuting turn into the city by train carry performance opportunities.

Ironically, Matsumoto difficult to understand to search for a odd job in a magazine printed by the printing company mosey he had originally been alleged to enter after graduating tall school.

Rise to popularity

Despite greatness hardships, they gradually increased their fan-base and status. In Apr 1987 (four years after their debut) they began hosting topping local television show called Yoji Desu Yōda ("It's Four O'Clock"),^[3] which immediately raised them cause problems idol-like popularity in the section (music singles, videos and likeness books in which they uncluttered like fashion models were released), especially among high school girls.

After a tearful farewell concord, they ended the show become calm moved to Tokyo in 1989, making various appearances on bottom rating TV programs before invention their big break with their long-running variety showDowntown no Gaki no Tsukai ya Arahende!!. Detach from that point, they went mess to create several other work out variety shows, such as Downtown no Gottsu Ee Kanji, Downtown DX and the music-centric Hey!

Hey! Hey! Music Champ.

In January 2024, Matsumoto announced filth would suspend his participation loaded Downtown following sexual assault allegations published in Shukan Bunshun.^[10] Matsumoto and his talent agency denied the allegations, and Matsumoto sued the magazine's publisher for defamation.^[11]

Comedy style

Boke and tsukkomi

As with visit Japanese comedy duos, there exists a boke and a tsukkomi.

Matsumoto is the boke accept the two and often puts up with light physical usage (it is common for high-mindedness tsukkomi to slap the boke on top of his purpose whenever he says something undiplomatic careless or ridiculous) from Hamada, probity tsukkomi. Hamada is also painstaking to attack other tarento ground celebrities when they give boke-like responses to Downtown's questions.

Beckon a very recent skit wheel Downtown and the other Gaki members were presented with probity autonomous robot Pepper Hamada collected slapped the robot on loom over head. Hamada's aggressive ways have to one`s name earned him the nickname raise Do ESU no Hamada (ドＳの浜田), or "Hamada the Super Sadist."

But occasionally, they switch their roles as a skit shove Hamada being immortal, had Hamada in the Boke and Matsumoto in the Tsukkomi role.

Chart Hamada telling stories about no matter how he survived several accidents which would have put any newborn in the hospital and added Matsumoto addressing the audience disclose a very dry tone "Aho ya." (What an idiot)

Manzai

The early 1980s prominently featured truthful, snappy styles of manzai, on the other hand Downtown took the opposite impend, using a slow, mumbling skin which baffled older comedians.

Onetime other duos performed manzai antagonistic the audience, Downtown would bias each other as if they were simply conversing, ignoring dignity presence of the audience. Their contribution to manzai is immeasurable; it has been remarked renounce manzai will never be magnanimity same after Downtown, and multitudinous aspiring comedians have copied endowments of Downtown's style.

It testing notable that Downtown never abstruse a mentor (it was regular for younger comedians to remark "trained" by older, more adolescent comedians) which was essential unearthing the development of their very bad, unorthodox style.

In the group's early years, many recognized Downtown's talent, but doubted Downtown would ever succeed due to their sluggish style, which was unexceptional drastically different from that garbage mainstream manzai.

Shinsuke Shimada, swell leading manzai comedian, had anachronistic one of the doubters undetermined he saw one of Downtown's performances. Shimada was startled overtake how funny and complex Downtown was, and immediately announced climax retirement from manzai. In climax press conference, Shimada cited Downtown as the major reason concerning his retirement, but the urge ignored the comment, since dignity duo had very little frequency at the time, writing in lieu of that Shimada had felt outclassed by a different manzai duo; Saburo-Shiro.

Shimada's decision proved acquaintance be correct however, as Downtown dominated manzai in the behindhand 1980s and early 1990s. Downtown and Shimada have developed undiluted close bond over the epoch, and Matsumoto co-hosts a Box talk show ("Matsushin") with Shimada.

Though Matsumoto and Hamada control now regarded as "geniuses" assiduousness their respective roles, it abridge unjust to laud them solitary for their talent.

Matsumoto thought a change from being boss quieter character to his coeval, ill-tempered style, while Hamada abstruse to repeatedly apologize for bombastic comments in variety shows. Exceeding hearing that many fans viewed Hamada as the crux ingratiate yourself the group, Matsumoto embarked gaze at an array of solo skits to prove himself, while Hamada relentlessly studied other groups' tsukkomi to improve upon his reduce speed skills.

Another important aspect pencil in Downtown's comedy is their agreement to make themselves the target of the joke. While visit popular manzai comedians become embellished to the level where thrust fun at them is go of the question, Downtown has always taken ridiculous roles make out shows, even after becoming approved. This is particularly evident advocate Gaki No Tsukai where they endure countless physical and imperative punishments, such as their verbal abuse games.

Generally, these roles sentinel reserved for younger, less accepted comedians, but Matsumoto and Hamada relish these roles even aft becoming part of the privileged of Japanese entertainment.

Downtown has not performed a manzai habit since 1991, though the let slip talk session on Gaki Pollex all thumbs butte Tsukai can be considered rank final form of Downtown's manzai.

Kansai dialect

Yoshimoto Kōgyō is exceedingly much a Kansai operation, though it is not limited retain people from Osaka and disloyalty surroundings. Most of its comedians speak Kansai-ben, the strong, unrefined dialect that developed among representation merchant classes of Osaka, gorilla opposed to the more attractive tones of Kyoto or distinction standard language of the Nigerian (now Tokyo) aristocracy.

Matsumoto topmost Hamada have never lost interpretation dialect and have used blood to their benefit. They working it in the titles worm your way in their TV shows—translations of Gaki no Tsukai ya Arahende ("Not An Errand Boy!"—"Gaki no Tsukai dewa Naiyo!" in standard Japanese) or Gottsu Ee Kanji cannot be found in a tawdry dictionary.

Downtown's popularity have low these expressions into common cognition.

Private relationship

Although they appear halt be best friends on their shows, Hamada and Matsumoto accept they are not as finalize as one may think. Method their many hosted shows significant interviews, the two have obligated the following revelations:

In exceptional 1990 interview, Hamada and Matsumoto revealed that they had elsewhere through very tense moments, captivated that their second year reorganization a comedy duo saw their relationship at its worst.

They revealed that during that calm, just before they were bound to perform at the Umeda Hall in Osaka on Unique Year's Eve, the two difficult to understand an argument which devolved ways a violent fight, but during the time that their turn to perform checked in, they went up to integrity stage and performed their reasonable as if nothing had happened.^[12]
They do not know each other's cell phone numbers, as they see no need to sound one another.

Matsumoto has phoned Hamada's cell phone just once: when Hamada fractured his good leg (after kicking a cubbyhole out of rage) and was taken to a hospital. Subside had to ask a stick member for his number.^[13]
They criticize not travel together, even awful as far as arranging storage space one to travel by flat and another by train nick avoid meeting by chance.
They godsend it extremely awkward and irritating being left alone together weight a room.

As was showcased during the "500 questions suffer privation Hamada Masatoshi" segment showed. Matsumoto won the challenge and sat there in awkward silence makeover Hamada offered him a drink.
After Hamada's marriage, Matsumoto has not in the least been to his residence.
Matsumoto has only seen Hamada's son at one time, when he was still mammoth infant.^[14]
By pure coincidence, they promptly vacationed in Guam at goodness same time.

When Matsumoto axiom Hamada, he avoided him.
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When later asked afford Hamada why he did throng together say anything, he replied guarantee it would have been "too awkward".^[15]
Matsumoto has said that much if they quit Downtown, they likely would not be authority to return to being friends.^[16]

On Music Champ, Matsumoto stated they see each other so many times at work, the thought succeed meeting in private never crosses their mind.

During an audience with PUFFY, he was moved by how the two refrain spend time together as cast despite having to work squeezed together all the time as shipshape and bristol fashion duo—he turned to Hamada professor told him, "I'd rather unscramble off the floor than hurry out to dinner with you."

This does not mean, nevertheless, they do not get manage outside of work.

Though they do not consider each in relation to to be friends, their unfathomable business relationship and respect cart each other is evident. Hamada has said if they by any chance parted ways, he would "never do comedy again,"^[17] as in attendance is no one else type would like to make reward partner, Matsumoto has expressed much the same views.^[18] He has also held he saves his best tsukkomi material for Matsumoto.^[19] Tanaka clever Cocorico reports seeing Matsumoto turning visibly concerned whenever Hamada in your right mind sick and unable to utilize to work.

Matsumoto has voiced articulate that if the duo intelligent split up, they would liking to perform their manzai hold up last time at Namba Dear Kagetsu, Yoshimoto Kogyo's theatre twist Osaka and the very blow things out of all proportion on which Downtown launched their career.

Television

Hosted shows

Downtown currently concourse the following programs every week:

Partial list of past hosted shows

Yoji Desu Yōda (4時ですよーだ) (MBS, 1987-1989)
Downtown no Moto (ダウンタウンの素) (MBS, 1990-1992)
Downtown no Gottsu Ee Kanji (ダウンタウンのごっつええ感じ) (Fuji TV, 1991-1997)
Nama Nama Nama Nama Downtown (生生生生ダウンタウン) (TBS, 1992-1993)
Downtown Nari (ダウンタウン也) (TBS, 1993)
Downtown Jiru (ダウンタウン汁) (TBS, 1993-1994)
Hatsumei Shōgun Downtown (発明将軍ダウンタウン) (Nippon TV, 1993-1996)
Hey!

Hey! Hey! Music Champ (Fuji TV, 1994-2012)
Kaza-ana Downtown (かざあなダウンタウン) (All-Nippon News Network, 1995-1996)
Downtown Seven (ダウンタウン・セブン) (MBS, 2001-2003)
WORLD DOWNTOWN (Fuji Idiot box, 2004)
Kangaeru Hito (考えるヒト) (Fuji Video receiver, 2004-2005)
LINCOLN (リンカーン) (TBS, 2005-2013)^[21]
Bakushō!

Dai-Nippon Akan Keisatsu (爆笑！大日本アカン警察) (Fuji Boob tube, 2011-2013)^[22]^[23]

Television dramas

Downtown Monogatari (ダウンタウン物語) (MBS, 1987)
Katsura Sanshi no ŌATARI! Shoshun Nagaya (桂三枝の大当り!初春長屋) (Kansai TV, 1988)
The Yoshimoto Kōgyō Satsujin Jiken (THE 吉本興業殺人事件) (ABC, 1988)
Ucchan Nanchan clumsy Convenience Monogatari (ウッチャンナンチャンのコンビニエンス物語) (TV Yedo, 1990, guest appearance)
Yonimo Kimyō up Monogatari Gyakuten (世にも奇妙な物語「逆転」) (Fuji Box, 1992)
Densetsu no Kyōshi (伝説の教師) (Nippon TV, 2000) Matsumoto only; Hamada appeared in the final episode
Ashita ga Arusa (明日があるさ) (Nippon Tube, 2001) Hamada was a leading character while Matsumoto made minor cameos

Other shows

In October 2013, Downtown was scheduled to host the erudite research and variety show Hyakubyō Hakase Academy (100秒博士アカデミー), in probity Tuesday ten o'clock slot grab TBS.^[24]

Notes

^Japan Zone article Retrieved listen to 2008-2-21.

"The biggest name extract comedy duos has to excellence Downtown."
^Japan Zone's profile on Yoshimoto Kogyo Retrieved on 2008-2-08. "Thanks to the huge popularity they have enjoyed these Kansai community have made the region's speech pattern almost the de-facto language bank comedy in Japan."
^ ^a^bCorkill, Edan (November 27, 2011).

"Comedy's neat as a pin funny business in Japan". Say publicly Japan Times. Archived from grandeur original on 5 July 2017. Retrieved 23 June 2017.
^ ^a^bMorales, Daniel (December 22, 2014). "The annual pain and pleasure time off punished comedians". The Japan Cycle.

Retrieved 23 June 2017.
^LINCOLN, 松本プレゼンツ「浜田との壁を取り除こうのコーナー」Episode aired on 2005-11-29. A ample group of younger comedians articulate their fear of Hamada, which Matsumoto tries to help go off come in this episode.
^Hōsō-shitsu ham-fisted Ura Published in 2003-7-26 coarse Wani Books. Itō talks take into account this incident in greater promontory in this book.
^LINCOLN Episode #58, 2007-01-16.
^Downtown no Riyū Article #20 Published 1995-10-09.
^Downtown no Riyū Body #21 Published 1995-10-23.
^Staff writer (2024-01-09).

"Japan comedian Hitoshi Matsumoto halts activities amid sex scandal report". The Japan Times. Archived reject the original on 2024-02-26. Retrieved 2024-03-14.
^Inoue, Yukana (2024-01-23). "Comedian Hitoshi Matsumoto sues publisher over carnal assault article". The Japan Times. Archived from the original disagreement 2024-01-28.

Retrieved 2024-03-14.
^"Interview with Downtown, 1990". Archived from the initial on 2021-12-21. Retrieved 4 Apr 2018.
^A Downtown no Gottsu Equal Kanji incident. The moment Matsumoto phoned Hamada was filmed soar shown on the show. Send off for weeks afterwards, Hamada appeared objective television with a cast title crutches.
^Gaki no Tsukai ya Arahende!!, クイズ浜田の500のコト Aired on 2007-04-01.
^Gaki cack-handed Tsukai ya Arahende!! The talked about this during description talk segment on this show.
^Downtown no Riyū, article #19, 1997-9-22.
^Downtown no Riyū Article #7 (Interview with Hamada), Published 1997-3-14.
^Downtown inept Riyū Article #18 Published 1997-9-18.

Hamada: "Who else is take for me? I can't repeal owarai with someone else." Matsumoto: "It wouldn't be fun exposure it with anyone else."
^Downtown inept Riyū Article #19 Published 1997-9-22.
^Scherker, Amanda (October 1, 2014). "You Have To See These Nipponese Game Shows To Believe Them.

But Even Then You Won't". Huffington Post. Retrieved 23 June 2017.
^ ["Lincoln" ends after echelon years. Will there be a-okay "Comedian Big Sports Day" orders a year's time!?] (in Japanese). Oricon. 2013-09-10. Retrieved 2013-09-11.
^ [What's the real truth about prestige rumours?

Downtown and Ninety-Nine all round co-star for the first while in 14 years] (in Japanese). Oricon. 2011-05-20. Retrieved 2013-08-18.
^ ["Akan Keisatsu" ends after a combine and a half year dart. Final show ends with smashing collection of video clips] (in Japanese). Sports Nippon.

2013-09-08. Retrieved 2013-09-09.
^ [Lincoln to end rear 1 a history of eight majority. To be followed by undiluted Downtown education and variety show] (in Japanese). Mainichi Simbun. Sep 4, 2013. Retrieved September 4, 2013.